Voyages in the Underworld of Orpheus Black by Marcus Sedgwick, Julian Sedgwick, illustrated by Alexis Deacon

It's December 1944 and since September, the Nazis have once again been bombing London with their newest weapon, the V2 rocket. Harry Black, a conscientious objector, has been working on the fire brigade with fellow objectors. His moral position has caused a rift in the Black household. His father refuses to have anything to do him, claiming Harry has blackened the family name. Older brother Ellis is a soldier, back in London to recuperate from wounds suffered on the battlefield, and waiting to be sent back into combat. He also feels that Harry is a coward, but agrees to meet him at a pub called the White Horse. The two talk about a few things, including about a possible book of poems that Ellis could write and Harry could illustrate.



After talking for a while, Ellis decides to remain at the pub and Harry boards a bus home. The pub then takes a direct hit from a V2 rocket and is completely demolished. The bus was also destroyed in the hit and Harry wakes up in a hospital, seriously injured. But a nagging feeling tells him that Ellis is still alive, buried in the debris of the destroyed pub and Harry decides he must venture underneath the rubble to find and save his brother. While still in hospital, Harry meets a 14-year-old girl named Agatha, who had been a Kindertransport child in 1939 and now wants to find her parents, whom she believes are now in London.



Together, a semi-delirious Harry and a determined Agatha venture forth through the bombed and burning streets of London to find the remains of the White Horse in order to rescue Ellis and reunite Agatha with her parents. Throughout their journey, Harry stops to take the time to document everything in his notebook, which already includes copious, detailed illustrations for a planned science-fiction book called Machines of War.



Harry's journey into London's underworld to reach his brother has parallels to the myth of Orpheus and his journey to the Underworld to bring his wife back from the dead. Not surprisingly, Harry's notebook entries are explained and made clear through free verse poems by a poet named Orpheus. But who Orpheus is here is a mystery (until the end, but even then, I questioned Orpheus' identity here).



Voyages in the Underworld of Orpheus Black is not an easy book to read. It can feel confusing and muddled at times, but it is so worthwhile to stick with it to the end. This is clearly an anti-war story, catching all the particular horrors of World War II, and in fact, all wars. The Sedgwick brothers have created a hero in Harry Black, which is not surprising. Apparently, their father, a Quaker, was a conscientious objector during WWII and it is clear they consider him to be a hero for taking a stand against war that was seen as almost treasonous during WWII.



This is a carefully crafted story, part graphic novel, part verse novel, part prose novel, seemingly told from three different points of view - Harry, Orpheus, and, to a lesser degree, Ellis. Each part, each person ties into the other, adding to the story, and creating plenty of intrigue.



I found myself really caught up in Harry's first person narration, even at his most muddled, but I could have done with less of Orpheus and his songs. At times, I felt they interrupted the flow of the story too much. Also, it didn't take me long to figure out the mystery of Agatha, but maybe that was supposed to happen. After all, she pushed Harry along to act before it was too late to rescue Ellis.



Students will one day have a field day analyzing the meaning of this novel, the themes, the metaphors, the veiled references to reality contained in Harry's Machines of War work-in-progress, and the illustrations, which are so much a part of the story, don't gloss over them. The ones done in blues and whites are Harry's illustrations for his book, the black and white illustrations represent reality and belong to the story being told.   



All told, I really enjoyed reading this book. It was a harrowing journey to the end but it had the kind of very satisfying, emotional ending I find appealing in books like this. And since I don't find too many really good alternative histories that take place in WWII, this was a very welcome addition to that particular genre.



This book is recommended for readers age 13

This book was an EARC received from NetGalley

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A Place to Belong by Cynthia Kadohata

We always like to think that this country fought heroically in WWII but the truth is that this country didn't always act very admirably, and in fact, it sometimes acted down right unconstitutionally. Which is why, on Saturday, January 12, 1946, 12-year-old Hanako Tachibana, her brother Akira, age 5, and their parents have just arrived in Japan after a long journey from Tule Lake Concentration Camp in northern California.



Having lost their home, their restaurant, their possessions, even Hanako's cat, the Tachibana family were living in internment camps since 1942, after President Roosevelt had signed Executive Order 9066. They had ended up in Tule Lake in 1943 because Mr. Tachibana had refused to answer yes to one of two loyalty questions on a government questionnaire designed to separate loyal from disloyal Japanese American men. Ultimately, Hanako's parents decided renounced their American citizenship when pressed to do so by the government and the family was repatriated to Japan at the end of the war, a country neither Hanako nor Akira had ever been to before. 



Hanako expects Japan to look as beautiful as it had in pictures she had seen, but the reality is a Japan that is as broken and poverty-stricken as she feels. Traveling to her paternal grandparents, tenant farmers living just outside of Hiroshima and struggling to survive, Hanako witnesses soldiers and civilians, dirty, disheveled, often crippled, begging for something to eat, as well as the destruction all around her, blackened trees, buildings and homes turned to rubble, all as a result of the atom bomb that had been dropped there by the Americans.



At her grandparents home, Jiichan (grandfather) and Baachan (grandmother) welcome the family with open arms and unconditional love, despite not even having enough to eat for themselves. Hanako helps out as much as she can working in the fields, but soon finds herself in school, where she is treated like an outsider. Although she can get by speaking Japanese, her reading and writing are almost non-existence, as is her skill using an abacus. Even her long braid is cause for criticism among the other girls. 



Hanako is a sensitive, observant, questioning girl, who is growing up too quickly, but is stuck in the past and afraid of the future. One of the first things Jiichan teaches her is that the way to move forward is through kintsukuroi, which is a way of repairing broken pottery using lacquer dusted with gold, so the repaired pottery is even more beautiful than it had originally been. The trauma of having lost everything has caused Hanako to question who she is, where she belongs, and what she now believes in. She may feel like a broken piece of pottery, but Hanako figures life is more complicated than a repaired bowl.



Eventually, however, Hanako's parents decide that they would like to return to America and begin working with an American civil rights lawyer, Wayne Collins, to make that happen. Mr. Collins is putting together a class action suit to help those who were repatriated to Japan after the war to regain their citizenship and return to America. But when her parents petition is refused, the family is forced to make some hard decisions. Yet, through everything that has happened to her family, Hanako finally begins to understand her grandfather's lesson on kinsukuroi, and learns that in life gold can take many forms, and that understanding is just what she needs to be able to move forward with her life.



I won't lie, A Place to Belong is a difficult book to read. Not because of the writing, which is beautifully straightforward. Or the characters, which are drawn so well you feel like you really know them. What makes it difficult is the reality of what happens, and knowing that Hanako's life is broken because of war, because of who she is and what is done to her by her own country - the United States. In addition, descriptions of children and adults begging in the streets, of people starving and disfigured in the aftermath of the atomic bomb, of black markets taking advantage of desperate people offer a disturbing, yet realistic look at post-war Japan even as Hanako tries to piece together just who she is amid the wreckage within and around her.



A Place to Belong is historical fiction based on real events. All men of Japanese ancestry really were required to complete the so-called "loyalty questionnaire" in 1943 and they, along with their families, were sent to Tule Lake Concentration Camp if they were deemed disloyal based on their answers. Tule Lake was a harsh, cruel place where inmates were treated like prisoners and many, like Hanako's family, were deported to Japan after the war.



A Place to Belong should be read by anyone interested in WWII history, however, I think readers will definitely see parallels to much of what is happening in our world today. Be sure to read Kadahata's Afterword for more information about Wayne Collins and the work he did on behalf of wronged Japanese Americans.



You can download a reading guide for A Place to Belong from the publisher, Simon & Schuster, HERE



You might want to pair A Place to Belong with No-No Boy by John Okada. No-No Boy looks at the post-war life of a Japanese American boy who answered no to both of the loyalty questions, but did not give up his citizenship.



This book is recommended for readers age 10+

This book was provided to me by the publisher, Simon & Schuster, with gratitude

View of barracks with Castle Rock in the background, Mar. 20, 1946, Tule Lake concentration camp, California.. (2015, July 17). Densho Encyclopedia. Retrieved 08:05, August 17, 2019 from https://encyclopedia.densho.org/sources/en-denshopd-i37-00239-1/.

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Re-reading Blackout and All Clear by Connie Willis

I decided to re-read Blackout and All Clear not long ago. I read them back in 2010, and while I don't usually re-read books, I did these because I always felt that I had read them too quickly. And the fact is I loved them as much the second time around as I did the first. Then I re-read my review and decided, 9 years after I wrote it, to repost it. This is what I wrote on November 17, 2010:

"I have just finished reading Blackout and All Clear and find myself wishing that Connie Willis could have kept going. After reading these two books totaling 1,168 pages, I find I have become quite attached to the characters and had a hard time saying goodbye when I came to the end. They are just that good!

The books are based on a simple enough premise. In 2060 Oxford, history is studied by traveling back in time to observe, collect data and interpret events firsthand under the tutelage of Mr. Dunworthy, the history professor in charge of time travel. The story centers on three students interested in different aspects of World War II. Michael Davies, disguised as Mike Davis who wants to go to Dover as an American war correspondent to observe the heroism of the ordinary people who rescued British soldiers from Dunkirk; Merope Ward becomes Eileen O’Reilly, working as a servant to Lady Caroline Denewell in her manor at Backbury, Warwickshire in order to observe evacuees from London; and Polly Churchill becomes Polly Sebastian, a shop girl by day working in the fictitious department store Townsend Brothers on Oxford Street, who wants to observe how Londoners coped during the Blitz.



In Blackout and All Clear, Willis makes it clear that there are certain cardinal rules of time travel. First, the traveler may not do anything to alter a past event. But that was supposed to have been taken care of so that it couldn’t happen. In addition, an historian is not allowed to travel to a divergence point, a critical point in history that can be changed by the presence of the historian. Nor can a predetermined drop site open if there is a “contemp” nearby who might see what is going on. Furthermore, once they have arrived at their destination, the historian is required to return to 2060 Oxford and report in. If they don’t do this, a retrieval team is sent to bring them back to Oxford. One other thing, time traveling historians are not supposed to have contact with each other while in the past.



That being said, Mike ends up in Dunkirk, saving a life and Eileen is prevented from returning to Oxford at the end of her stay by an outbreak of measles among the evacuees. Both ultimately travel to London, seeking Polly, hoping to use her drop to get back to 2060, but Polly’s drop has been compromised by a bomb and has stopped working. These extended stays do not result in the arrival of retrieval teams; but in much more complex adventures and worries. Have they altered the future unintentionally? Or unalterably? And if so, what does that mean for the future? And will the historians ever get back to 2060 Oxford?



In addition to Mike, Polly and Eileen, Willis has drawn some interesting supporting characters in Blackout and All Clear, all very different from each other and all of whom I found myself caring about. There is Sir Godfrey Kingsman, the well known actor who is part of the entourage in Polly’s bomb shelter, though he did get on my nerves with his constant quoting of Shakespeare, yet he was still endearing. He always referred to Polly as Viola from Twelfth Night because of the way she arrived at his bomb shelter her first night, and she was going by the last name Sebastian, the name of Viola’s twin brother, something to keep in mind as you read. And Colin Templer, 17 and besotted with love for Polly and who had promised to rescue her if anything went wrong. Colin wants to go to the Crusades so he can use the paradox of time travel to close the four year age difference between himself and Polly. Eileen’s life was plagued by Alf and Binnie Hodbin, brother and sister urchins evacuated from London to Backbury, pranksters and troublemakers extraordinaire. Mike had Commander Harold, elderly captain of the Lady Jane who unofficially went across the English Channel to participate in the evacuation of soldiers from Dunkirk and changed the course of Mike’s time travel.



Connie Willis has done a brilliant job writing Blackout and All Clear, even though I know I will probably have to reread both books again to really appreciate them [yes, that's exactly what happened]. When I first read Blackout, I didn’t pay close attention to the dates at the beginning of each chapter, so sometimes they were a little confusing. I found myself preoccupied with questions about why I was suddenly in 1944 or 1945 and who were Mary Kent and Ernest Worthing and how did this connect to Mike, Polly and Eileen?  Blackout sets up all the questions and All Clear answers them.



Throughout both novels, the three main characters are confused by what has happened to them, and the chaos of the period, such as not knowing when or where bombs may fall, adding to their sense of helplessness once Polly's knowledge of when and where bombs will fall is exhausted. As in the real war, anger, anxiety, confusion, fear, frustration and helplessness are exactly the array of emotions that the reader experiences along with Mike, Eileen and Polly. Yet, all is not doom and gloom. Willis balances these with instances of hope, courage, selflessness and heroism. She also injects some very comical scenes into the story, such as an angry bull and the deployment of rubber tanks in a muddy, foggy pasture to fool the Luftwaffe, or the constant antics of the Hodbins. And of course, there is the dry wit of the British and their ‘carry on’ attitude after a blitz attack. I really like the fact that Willis keeps the story focused on the plight of the stranded historians, rather than jarring the reader by going back and forth between them and Oxford 2060.



Blackout and All Clear are both chock full of action, information, comedy, tragedy and everything else that goes into making a great story. They are not really meant for YA readers, yet they are perfectly suitable for high school kids, and even some younger ones. So without reservation, I would definitely recommend Blackout and All Clear to readers in their teens and to everyone else. It is a wonderful a tale about survival and heroism."


These books are recommended for readers age 13+

These books were purchased for my personal library.



Willis described the blitz and the bombs that hit Oxford Street, where Polly worked, in amazingly realistic detail.  Check out the following for an online exhibition of the West End at War including photos and maps of the blitz in that area, the same area that plays a large part in Blackout and All Clear

 http://www.westendatwar.org.uk/index.aspx



The following has online information about the Docklands and East End during the war, another area highlighted by Connie Willis;

http://www.museumindocklands.org.uk/English/EventsExhibitions/Themes/DocklandsWar/

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Dutch Girl: Audrey Hepburn and World War II by Robert Matzen

I spent a lot of afternoons watching movies with my best friend growing up, and one of our favorite screen stars was Audrey Hepburn. I can't count the number of times we saw Roman Holiday, Charade, and Breakfast at Tiffany's? Audrey Hepburn was the quintessential Holly Golightly. So when I saw that a book about her life during World War II had been written, I was really excited to read it, especially when I realized I knew nothing about Audrey Hepburn's off-screen life.



Robert Matzen has written a biography that focuses mainly on Audrey Hepburn life during the Second World War when she was living under Nazi occupation in Holland, with her Dutch family on her mother's side. Hepburn was only 11 years old when the Nazis invaded, and it would understandably have a deep impact on her. In fact, all through her adult life, Audrey was haunted by what much of what she witnessed and experienced during WWII.



Audrey was born in 1929 to a Dutch mother, Ella, Baroness van Heemstra and a German/English father, Joseph Ruston, but money problems soon meant Ruston would be gone a largely absent father. Audrey, her mother, and two stepbrothers, Alex and Ian, found themselves living in Arnhem with her Opa, Baron van Heemstra and his wife. Then, in the early 1930s, both Joseph and Ella fell under the influence of Sir Oswald Mosley, head of the British Union of Fascists, and both parents became strong supporters of Hitler. In fact, Ella wrote two published articles in support of National Socialism, she even attended the 1935 Nuremberg rally, and is present in a photo with Hitler and others at Nazi headquarters in Munich.



But after the Nazis defeated the Dutch in 1940 and began occupying Holland, life changed for everyone. With her country under siege, and life getting more and more difficult, Audrey threw herself into ballet. She had begun ballet while in school in London, and it remained her greatest passion throughout her life. Though her first performances as a ballerina were for German audiences, Audrey later used her increasing dance skill to raise money for the Dutch Resistance, evenings referred to as zwarte avonden or black evenings. She spent much of her time volunteering for Dr. Visser't Hooft, a leader in the Dutch Resistance, at his hospital It was he who encouraged her dancing in service of the resistance.



But Audrey's life during WWII wasn't all about dance. She took the death of her beloved Uncle Otto van Limburg Stirum, executed by firing squad with four other men in retaliation for resistance activities, very hard. Witnessing the Nazi's cruel treatment of Dutch Jews, and later their mass deportation was also seared in her memory. But it was the deprivation and starvation of the last year of the war, the Hunger Winter, that seems to have had the greatest impact on Audrey physically as well as mentally and influenced her relationship with food for the rest of her life, and perhaps even her decision to serve as a representative for UNICEF, the United Nations organization that provides world-wide emergency food and healthcare to children.



Matzen has written an intense, exciting biography of Audrey Hepburn. Interestingly, he has interspersed chapters about her later life as it relates to WWII. It appears that Audrey never quite reconciled her parents support of Hitler and National Socialism, but there was an unspoken agreement between mother and daughter to never speak of it in public, though she lived in fear that it would be discovered.



But Dutch Girl is more than just Audrey Hepburn's wartime experience. It is a very well-researched  history of World War II, as it relates to the Netherlands. Holland was a peace-loving country that was traumatized by constant dogfights in the air between Allied and German pilots, heavy bombing and towards the end of the war, the particularly destructive V1 and V2 bombs meant for England but landing in Holland when they malfunctioned. And although Hitler thought the Dutch were Germany's Aryan cousins, as things intensified, they were treated with more and more cruelty.



Included in Dutch Girl are extensive photographs, maps, Chapter Notes, and Selected Bibliography.



On a personal note, I found Dutch Girl to be especially valuable because of my interest in the impact of war on children, part of the reason I began this blog in the first place. I was really glad Matzen included the chapters about Audrey Hepburn's life after the war, often quoting her. I could see the impact of WWII on her young life in a way that fiction often doesn't provide. It is very well written and organized, and I found I could not put this book down once I began reading it.




Dutch Girl is, I think, a book that will appeal to people interested in WWII history, more so that those who simply might be looking for a book about the glamorous life of a movie star.



This book is recommended for readers age 17+

This book was provided to me for purposes of review.

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The Good Son: A Story From the First World War Told in Miniature by Pierre-Jacques Ober, illustrated by Jules Ober and Felicity Coonan

The Good Son is probably the most unusual book I've reviewed on this blog. It is a World War I story about one small soldier's experience and although it's a picture book for older readers, the recommended is age 14+. And it isn't exactly illustrated in the traditional sense - each page is photographed using customized painted miniature figures, more sophisticated versions of the kind toy solders so many kids played with, and all of them are set in detailed landscapes, creating powerfully effective tableaus.



Written one hundred years after the end of WWI, the tale opens, in slightly blurred black and white photos, long after the war is over.  It was a war that was supposed to be over by the first Christmas, but instead went on for years, while people suffered and kept going into battle.

"About one hundred years ago, the whole world went to war"

The story shifts then to color photos of Pierre, a young French solder, sitting alone, locked in a barn. Pierre is facing execution for desertion, having gone AWOL for two days to spend Christmas with his widowed mother and not wanting her to be alone. Left by himself in the barn, Pierre has time to think about why he enlisted, about loyalty, about the horrors of war, and about what had been his hopes and dreams for his life after the war.



Believing the propaganda and wanting to make his mother proud, Pierre had, like so many men, signed up to fight once war was declared in 1914. As the war drags on, and more and more men are killed, Pierre realizes that war is terrible, a point that is made over and over. But, Pierre was a good soldier, even receiving a commendation for capturing six German soldiers, albeit, soldiers who are tired of war and just want to be out of it - feelings Pierre shares with them.



Readers learn a lot about Pierre as he sits in the barn awaiting his fate. His friend Gilbert, who once saved Pierre's life, brings him in food, wine, and company. But even Pierre's good behavior and  commendation don't help him when his colonel sentences him to be shot for desertion the next morning:

As the war drags on, and morale sinks among the other soldiers, the colonel had decided to make an example of Pierre.



So, no, Pierre doesn't not survive the war but his story is sure to remain with sensitive readers long after they close this book.



The Good Son is probably one of the most effective anti-war books I've ever read. Pierre's story is told in one or two short lyrical sentences on each page, with accompanying photos that move the tale along, revealing the pointlessness and the unfairness of war. Readers will find themselves asking questions about how propaganda is used to motivate people, especially young people, about patriotism, and about how does a good son, a good soldier end up in front of a firing squad? All this makes The Good Son is a very interesting and unusual philosophical look at war.



An compelling point that this book makes is that war is fought by little solders, young men like Pierre, and that these soldiers are at the mercy not only of the military, but also the politicians who decide to go to war, a point the is driven home through the metaphorical use of little toy soldiers, making Pierre's story all the more poignant. And I think that the little toy soldiers have a much more profound impact on the reader that conventional illustrations would have had.



You may have a hard time getting your teens into this picture book, but I believe that once they begin to think and explore its pages, The Good Son will really resonate with them. After all, some of them may be the future's little soldiers.



Back matter includes A Note from the Author and photographs and an explanation on The Process by which The Good Son was created. You can also find would some photographs of how each tableau was created on the author's Instagram page.



Parents and teachers can also find factual information giving context for The Good Son HERE



The Good Son will be available in the US on May 14, 2019.



This book is recommended for readers age 14+

This book was sent to me by the publisher, Candlewick Studio

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The American Agent (a Maisie Dobbs Mystery #15) by Jacqueline Winspear

It's September, 1940, and the German Luftwaffe is blitzing bombs down on London nightly. Maisie, who you may recall was a nurse on the battlefields in France during WWI, and her best friend Priscilla Partridge have volunteered to be ambulance drivers, doing what they can night after night to help the injured. One night, a young American journalist, Catherine Saxon, rides along with Maisie and Priscilla. Catherine is writing accounts of the Blitz for Americans and is hoping to become one of "Murrow's Boys" - American reporters based in London, working for Edward R. Murrow on BBC radio.



Unfortunately, the next day, Maisie learns that Catherine Saxon has been murdered and her old friend Robert MacFarlane of Scotland Yard wants Maisie to be part of the investigation to find out who killed her and why. Oh, and he wants Maisie to work with Mark Scott, an American agent attached to the Department of Justice. And yes, if you've been keeping up with Maisie, this is the same Mark Scott with whom she worked and had a bit of a flirtation in Journey to Munich (Maisie Dobbs #12).



The investigation of Catherine Saxon's murder is complicated by a number of things. For one, her father is a wealthy isolationist American senator with whom she never got along and who has cut her off completely for not doing what he wanted her to do - be a wife in an advantageous marriage. And Mark Scott, for all his flirtiness, doesn't really seem interested in solving Catherine Saxon's murder, disappearing and showing up at odd times so that Maisie is left to wonder what he's up to. And, of course, Maisie is still in the midst of trying to adopt her orphaned evacuee Anna, which she would much rather focus on. Anna is still living with Maisie's father and step mother at Chelstone, the family farm, and having meltdowns whenever Maisie needs to return to London. And as if these things aren't bad enough, one night while driving their ambulance, Priscilla is very seriously burned while rescuing some children in a bombed house.



Maisie has a lot of personal stuff to contend with in this novel, but luckily, for all his disappearing during the Catherine Saxon investigation, Mark always reappears just when Maisie needs him to. Could it be that these two are ready to take their previous flirtation to another level? But why can't she discover anything about him? Is he somehow up to no good? What's his connection to Ambassador Joseph Kennedy, also an isolationist and Nazi appeaser? And will her job as an investigator jeopardize her chances of adopting Anna? As Maisie interviews the women in Catherine's life, including her best friend Jennifer Barrington and her husband, is she beginning to look at her own life differently?



Looking at these questions, you can see that this is an intriguing book, and a more personal and introspective one than the last few Maisie Dobbs' novels I've reviewed. In addition, Jacqueline Winspear has really captured just what London was like during the Blitz, with fires all around, lives and homes lost, the smell of fires burning everywhere, buildings sandbagged and barb wired, barrage balloons in the air and "where tension was threaded into the fabric of life" but where "people prided themselves on their ability to carry on as normal." There's even a bit of humor. Whenever the V-formation of Luftwaffe bombers fly over Chelstone, next-door neighbor Mr. Avis "could be seen shaking his fist and shouting at the sky, before aiming his rifle towards the bombers," a gesture nicely summed up by Mark Scott "You know, you've gotta love you Brits."



Winspear includes a Prologue that consists of reports by journalists about London in the days just before and after the Blitz begins on the night of September 7, 1940. This nicely sets the stage for not only Catherine Saxon's murder, but also for what Maisie and all Londoners faced on a nightly basis while carrying on as normally as possible during the day. The inclusion of Edward Murrow and other journalists reporting to Americans about the Blitz, as well as different isolationist politicians, will certainly resonate with today's readers. But in the end, you will be very surprised at 'who done it' and why. I know I was.



The American Agent is definitely my favorite Maisie Dobbs so far and I can't wait for the next adventure.



This book is recommended for readers age 14+

This book was an EARC gratefully received from EdelweissPlus

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The Golden Tresses of the Dead (a Flavia de Luce Mystery #10) by Alan Bradley

It's autumn 1952, and although Flavia de Luce and her sisters, Feely (Ophelia) and Daffy (Daphne) are still distraught over the loss of their father less than a year ago, the Buckshaw household is getting ready for Feely's marriage to Dieter. Dieter, you may remember, was a former prisoner of war, a German pilot shot down over England by RAF pilot Reggie Mould. Now, Reggie is Dieter's best man at his nuptials.



All goes well at the wedding until Feely makes the first cut of her wedding cake, and discovers a severed human finger where the slice used to be. Feely's subsequent hysterics naturally gives Flavia a chance to wrap the finger in a napkin and whisk it away to her laboratory upstairs, where she is soon joined by Dogger, who had previously been her father's valet and loyal family's servant. You may recall that at the end of Book #9, The Grave's a Fine and Private Place, Flavia and Dogger had gone professional, establishing Arthur W. Dogger & Associates, Discreet Investigations. Needless to say, they immediately begin investigating the finger and lose no time in identifying it as belonging to a famous guitarist, Mme. Adriana Castelnuovo.



Before they get too far with the mystery of how Mme. Castelnuovo's severed finger ended up in Feely's wedding cake, they are hired by a Mrs. Anastasia Prill. Mrs. Prill believes that several letters of a delicate nature have been stolen from her home. Her father, Dr. Augustus Brocken had been a homeopathic practitioner and the developer of Brocken's Balsamic Electuary, a miracle cure all balm, which made him oodles of money. Now, though, the elderly Dr. Brocken has been living in an unresponsive state in Gollingford Abbey, a very expensive private hospital. But no sooner do they begin piecing together the clues to the missing letters then Mrs. Prill is found dead in her home, a suspicious cup of coffee nearby.



In the middle of all this, Flavia's friend and wife of the vicar, Cynthia Richardson, asks if two missionaries from Africa, Miss Doris Pursemaker and Miss Ardella Stonebrook, can stay at Buckshaw for a while, a request to which Flavia grudging agrees. It doesn't take long for Flavia and Dogger to wonder if the severed finger, the Brocken family's intrigues and the two missionaries are somehow connected to each other.



Flavia, who has been acutely feeling Feely's departure from Buckshaw, "Feely, with whom I had been engaged in an eternal joust since the day of my birth; Feely whom I always loved; Feely whom I sometimes hated" (pg 32), stoically throws herself into investigating these new mysteries as a way of avoiding this new loss in her life.



And Bradley writes this novel with the same zeal with which he has always approached his Flavia novels. And now he has given Flavia a foil in the form of Undine, her younger orphaned cousin now living in Buckshaw. Undine has always felt like an intruder there, treated more like an annoyance than someone who might have some good detection ideas, and she has been trying to prove herself to Flavia the whole time she has been living in Buckshaw. Will she ever get Flavia's respect?

Bradley has a way of incorporating interesting bits of trivia into his novels and this one is no different. I found the idea of the London Necropolis Company fascinating and I suspect fans of Flavia will too. And riding the same rails from Waterloo Station to Brookwood that this one famous funeral train traveled on is the first official act of Arthur W. Dogger & Associates and seems just so absolutely appropriate.



The Golden Tresses of the Dead is as delightful to read as all the previous books. It is supposed to be the last Flavia de Luce novel, but boy, it sure doesn't feel that way and let's hope it isn't.



This book is recommended for readers age 12+

This book is an EARC received from NetGalley

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The Prisoner in the Castle (a Maggie Hope Mystery #8) by Susan Elia MacNeal

In a homage to Agatha Christie's novel And Then There Were None, comes the eight installment in the Maggie Hope series. And it's a good one.



It's November 1942, and for almost five months now, SOE agent Maggie Hope has been held as a sequestered prisoner in a castle on the deserted Isle of Scarra in Scotland. Sure, she has freedom to move around around the castle and the island, since no one lives there but their jailer Captain Evans and the McNaughton family that helps out in the castle, but it also means no phone calls or letters or communication of any kind with the outside world. And Maggie isn't alone on the island. In fact, there are nine other agents, all sequestered because they, like Maggie, know high level wartime secrets that the Special Operations Executive believes they might inadvertently let fall into the wrong hands.



The agents are well taken care on the island. Once a month, a boat arrives with their Jungian psychologist Dr. Charles Jaeger and whatever supplies are needed, but staying only a very short time.



Into this already sinister setting comes SOE agent Camilla Oddell, sent to the island after killing another agent during a training drill. Naturally, once the first body is discovered, that of Captain Evans, she immediately comes under Maggie's suspicions. But why? What would be her motive? Breaking into Captain Evans' office, the agents use his radio to call Arisaig House, command center for SOE agent training, but before they can come to get his body, another death is discovered.



As more agents are murdered, it becomes clear to Maggie that the murderer is one of the agents. When a severe storm hits the island, lasting for days, and making it impossible for a boat from Arisaig House to come, Maggie realizes that there is also a German spy, who could be living in the castle or hiding elsewhere. Can she discover what is happening before she becomes a victim?



Meanwhile in London, the trial of the Blackout Beast (See The Queen's Accomplice, Maggie Hope #6) begins, and in a surprise move, Nicolas Reitter, the accused murderer, pleads not guilty. Now, the case will go to trial and Maggie is the only living witness. Detective Chief Inspector James Durgin, who has more than a professional interest in Maggie, must now try to find the sequestered agent, or Reitter will go free.



Yes, for a "locked room" or rather a deserted island mystery, there's a lot going on here. MacNeal has imbued this novel with an interesting, eclectic cast of characters, all reflecting the kind diverse backgrounds of the real agents in the SOE, and then some. Readers get a real sense of each one, even those that don't last very long. 



And this is a novel where the setting plays a much of a role as each character. Killoch Castle, where they all live, has a really storied history of its own. Built in 1900, it is a large and ugly Tudor style structure, a mix of "Victorian and Edwardian excess," and populated by a large collection of taxidermied wild animals. It had been the hunting lodge of a wealthy man with a big ego named Marcus Killoch, reputed to be quite the playboy in his day, but who is said to have killed ten of his invited guests one night, and then himself.



There certainly seems to be parallels between Killoch's murders, the murders of SOE agents, and Christi's And Then There Were None, but like all good mystery writers, MacNeal gives The Prisoner in the Castle her own spin.



I enjoyed reading this novel as much as I have enjoyed all the Maggie Hope mysteries. This one was very different, in that Maggie is very frustrated at not being able to use her training for the war effort (be careful what you wish for, Maggie), and yet it was still war related and exciting. And I have to admit, I was surprised by who turned out to be the killer and who was the spy. And they weren't the only surprises. And a surprise ending is always a good thing in a mystery.



This book is recommended for readers age 14+

This book was a EARC received from NetGalley



For your information, I am including the cast of the island characters, because in the beginning I found I had to make a list to keep them straight until I got to know them better:



The SOE Prisoners:

Maggie Hope

Dr Sayid Inayat khan (a nod to the real spy whose name was Noor Inayat Khan?)

Teddy Crane - older, arthritic

Ramsey Novak - mute

Quentin Asquith - gay

Anna O'Malley - scrappy, mousy and (to me) annoying

Helene Poole-Smythe - showgirl who married rich, and a flirt

Leonard Kingsley - admirer of Helene

Ian Lansbury - having affair with Helene and the first to go missing

Torvald Hagan - a little person

Camilla Oddell - the last agent to arrive on on the island



Captain Evans - their kind jailer



Dr. Charles Jaeger - their shrink

Captain MacLean 



The Three McNaughtons

Angus

Fiona

Murdo - their son

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To Die But Once (a Maisie Dobbs Mystery #14) by Jacqueline Winspear

It's May 1940 and, while Britain is at war with Germany, nothing much has happened so far on the home front, except lots of talk about the possibility of England being invaded, and continued preparations for the war. But now that the so-called phony war has ended, things are heating up.



For 15 year-old Joe Coombes, already an apprentice for Yates and Sons, painters and decorators, it now means a job painting the buildings at every RAF airfield in the country with a special new fire-retardant paint. But the vapors from the paint give Joe headaches, and when he is found dead from an apparent fall, it's all chalked up to being a suicide rather than the fatal blow on the head he received from the two men following him as Joe was out walking one night (NOT a spoiler - it happens in the Prologue).



Joe's parents, owners of a local pub, ask Maisie to investigate what happened to their son, and Maisie readily accepts, having watched all the Coombes children, Joe, Archie, and Vivian, grow up in their close-knit family. The family has always been well provided for, but now, with the war finally beginning to heat up, Maisie notices that both Archie and Vivian are living better than most people, always wearing fashionable clothing, having nice living conditions, and even smoking expensive cigarettes from packs of 20 instead of cheap Woodbines, "sold by the one's and two's" and not even bothering to finish them.



Luckily, Maisie still has gas coupons, so she drives several times down to Hampshire with her assistant Billy Beale, the last known area Joe had worked in, and begins questioning everyone who had contact with Joe, including his fellow workers, his landlady and the air force. Everyone liked Joe, but no one can help much. And Maisie notices that she is now being followed by a car with darkened windows, all the way back to London.



Meanwhile, Maisie's best friend Priscilla Partridge has been having a problem with her middle son, Tim, ever since his older brother joined the RAF. Tim also wants to be involved in doing work for the war effort, but is still too young. She asks Maisie is Tim might visit Chelstone, Maisie's country home inherited from her deceased husband. The hope is that Maisie can talk to him, her father will keep him busy with farm chores, and her young evacuee Anna, 5, will be thrilled to have him there as she recovers from measles. 



The war in Europe isn't going well for the British and French, and they soon learn that the British Expeditionary Forces (BEF) are being driven to the coast of Dunkirk by the German Army and are basically sitting ducks for the Luftwaffe. But when a call goes out for any craft that can cross the English Channel in an attempt to rescue the stranded soldiers, Tim and his friend Gordon Sanderson suddenly go missing as does one of Mr. Sanderson's boats.



As if the death of Joe Coombes and the possibility that Tim went to Dunkirk as part of the rescue flotilla isn't enough, Maisie has also decided to begin looking into the possibility of adopting Anna, though things don't look good for her as a single woman. 



And just how does that nice man living in the same building as Maisie's office fit into the plot?



I really enjoyed this Maisie Dobbs mystery. There is lots of interesting every day information about life on the home front included as the Germans get closer and closer to the English Channel and the possibility of invasion become real. Invasion was something people really worried about during WWII, with good reason, considering the number of countries Hitler had already invaded. On top of that, there is worry about the sons who have already enlisted and are fighting in France - Billy's son Billy Jr. in the army, Tom Partridge flying in the RAF, both boys Maisie is quite fond of.



I found the mystery interesting and there were quite a few surprises I don't see coming - which I like in novel. And the subplot of the missing Tim allows Winspear to include a lot of information about events in the spring of 1940, just before the Battle of Britain began.



And as much as I loved reading the three Maisie Dobbs novels that take place just before and during WWII, and plan to read any future mysteries of hers in this time period, this novel made me realize that I don't much care for Maisie's character. I find she is too perfect and that she has too much of a flat affect - she never gets angry, or has a good laugh, or a good cry. Sometimes, when she thinks about her late husband and the child she lost, there is a sense of tearless sadness, or when she is with Anna a kind of motherliness about her, but even at that, I don't get a feeling of warmth. Odd that, to like the books in a series so much, but not the main character. Even odder, it doesn't spoil the novels for me at all.



What I did find interesting, and you may as well, is that the the story of young Joe Coombes is based in part on Winspear's father's WWII experiences as an apprentice painting building at military airfields with a new fire retardant emulsion. You can read what Winspear writes about this on her website HERE.



I hope you enjoy this book as much as I did, and I can't wait to see what Maisie's next novel will bring.



This book is recommend for readers age 14+

This book was an EARC received from EdelweissPlus

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The Grave's a Fine and Private Place ( a Flavia de Luce Mystery #9) by Alan Bradley

This is the 9th Flavia de Luce mystery and the 6th book I've reviewed here. Of course, I do know it is now June 1952, Flavia has turned 12, and that aside from the odd mentions, WWII no longer plays much of a part in the stories.



As I said, it is June 1952, and six months have gone by since Haviland de Luce, father of Flavia and her sisters Feely (Ophelia) and Daffy (Daphne), passed away after an illness. Though the family estate, Buckshaw, was left to Flavia, her Aunt Felicity, bully and tyrant, arrives from London and decides it is to be sold and Flavia will go to London to live with her. Given six months to mourn, Flavia, Feely, and Daffy, are on a trip planned by faithful retainer Dogger, where, after punting along a river, they land in the village of Volesthorpe, near the notorious St.-Mildred's-in-the-Marsh church. It was here that Canon Whitbread allegedly poisoned three ladies in his congregation with the communion chalice, for which he was hanged. Yes, Dogger certainly does know his Flavia, poisons are her thing.



But when Flavia fishes out the Canon's son Orlando from the river by the church, new questions arise. Flavia cleverly manages to get some stomach fluid from the corpse for later analysis before the arrival of Constable Otter. As clever as he is unfriendly, Constable Otter quickly lets her know that her help is absolutely unwanted, an attitude that causes Flavia's suspicious nature to be on guard.



Away from her own well equipped chemistry lab at Buckshaw, Flavia and Dogger find they must improvise in order to carry out the investigation into Orlando's death. Luckily, Dogger, who seems to have an abundance of all kinds of knowledge, also turns out to be a genius at using whatever is at hand. I loved how Dogger made an improvised microscope (pg 85), especially clever and amusing after Otter condescendingly manplained to Flavia what a microscope is (pg 45). Still, Flavia is disappointed that Orlando wasn't poisoned, but she has become more and more aware that there are, nevertheless, sinister things under foot in Volesthorpe, and she is determined to get to the bottom of them all. And, as it turns out, there is plenty to get to the bottom of.



When I first began reading The Grave's a Fine and Private Place, I was feeling a little disappointed. It definitely has a slightly different feel to it than the previous 8 books. But as I got further into the story, I began to enjoy it as much as the other Flavia books, but it never lost the feeling of difference. I've thought about it and this is what I think:



The Grave's a Fine and Private Place is the next to the last Flavia de Luce mystery and, at 12, Flavia is entering adolescence. No longer a child, she is maturing and it shows - kudos to Bradley for portraying the subtle ways in which this happens. I realized it had actually began in book 8, Thrice the Brinded Cat Hath Mew'd after Flavia returned to Buckshaw from boarding school in Canada. Most notable is the way she now sees Dogger as more of an person in his own right and an equal and less as a servant, and there are changes in her relationship with her sisters, particularly Daffy, whose literary passions turn out to be pretty useful for solving murders. Don't get me wrong, Flavia is still as enthusiastic about solving murders, performing chemical experiments and learning about poisons as ever she was, but now her life is expanding.



Being away from the confines of Buckshaw and Bishop's Lacy also allows Bradley to bring in more varied but no less eccentric characters. There is Orlando Whitbread's mentor Poppy Mandrill, former actress now confined to a wheelchair; Arven Palmer, the landlord of the Oak and Pheasant and his wife, Greta Palmer; three roustabouts from the traveling Shadrach's Circus and Menagerie as well as the proprietor, Mrs. "Dreadnought" Dandyman; the village's undertaker F. T. Nightingale, whose son Hob befriends Flavia; and last but not least, Dogger's old friend (?) Claire Tetlock - each with their own secrets to be uncovered.



Like most of Bradley's plots, this one will require you to suspend your disbelief, not because he has delved into fantasy, just into things improbable, exciting but improbable. But is wouldn't be a Flavia de Luce mystery if the improbable were left out, would it?- then it would just be a book about a girl who likes chemistry. If you love a little off the wall, somewhat noir mystery with unconventional characters, this is the book/series for you.



This book is recommended for readers age 13+

This book was an EARC received from NetGalley 

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Wordwings by Sydelle Pearl

It’s January 1941 and Rivke Rosenfeld, 12, is living in the small sanctuary of a synagogue within the walls of the Warsaw Ghetto with her younger sisters, Tsipoyre and Sorele. Both their parents and their Bubbie (grandmother) have died of typhus, and now they are cared for by their Zadye, their grandfather. 

Despite the cold, and secretly at night, while everyone is sleeping, Rivke is moved to begin recording what life for the Jews in the Ghetto is like at the hands of the Nazis. It is a risky thing to do, and she knows full well she could be killed on the spot if such a record were ever found. Yet, Rivke is propelled to take this risk after witnessing German soldiers cruelly shaving off Zayde’s beard with a knife, and then attacking other Jews in the street, including the man Rivke calls the Peddler of Wind.  Rivke begins keeping her diary in the margins of a book of Hans Christian Anderson stories given to her by Batya, the children’s librarian in the Ghetto, stories that Rivke loves.

One day, Rivke asks the Peddler of Wind what he carries in the sack he always has with him. He answers wind wishes, and just as she asks if he has any fairytale wind, there is a strong wind begins to blow. Scared, Sorele begins to cry, and Rivke starts telling a story of her own about a young Polish boy who loved to blow the Shofar on RoshHaShanah. By the end of the story, everyone is spellbound, and it is clear the Rivke, a lover of stories, has found her own voice as a storyteller.

The story, one of hope, becomes known among the Jews in the Ghetto as the “The Jewish Geese.”

Batya, who has already recruited Rivke to help with the secret children’s library, introduces her to Dr. Emanuel Ringelbaum. Feeling her story is too important to lose, he has Rivke write it down. Later, it

is made into a book for the library, with illustrations by Gela Seksztajn, an artist who works with and draws picture of the children in the Ghetto. Rivke learns that Dr. Ringelbaum is head of a secret project called the Warsaw Ghetto Archive, intended to be a collection of artifacts about what is happening in the Ghetto, and which will ultimately be buried for safe keeping until the war is over.

Portrait of a girl by Gela Seksztajn found in

the Ringelbaum Archive

Wordwings is one of those books that is going to stay with me for a long time because there is so much in it to to think about. One the one hand, Rivke’s story is a factual accounting of what life was like in the Warsaw Ghetto - the starvation, the disease, the fear, the inhuman treatment of Jews by the Nazis, but it is also about the importance of family, hope in the midst of despair, the secret kitchen at Nowolipki 68 serving food smugglers have brought in, underground resistance to Nazi oppressors, and the power that stories have to help get us through difficult times. Or, as Rivke says, “…if you let your heart listen to the stories, then their magic will bring a light to your eyes and energy to your step. And pretend bread is better than no bread at all.” (pg 110)

And the fact is that within the Ghetto, and as terrible as conditions were, a cultural life did thrive for the people who were forced to live there. That is made clear in Wordwings with the inclusion of Rivke’s storytelling, Batya’s library, and Dr. Ringelbaum’s Archive, both of which really existed.  

One of the things I liked is the way Pearl has so seamlessly combined fiction and reality. Those Rivke, her sisters and Zadye are fictional characters, they continually interact with people like Batya, Gela, Dr. Janusz Korczak who ran the Orphans Home, and Dr. Ringelbaum. When you read the Author’s Note at the end of the book, you will learn more about the persons included included in the novel and their fate.

Wordwings is written completely from Rivke’s point of view in the first person (after all, it is her diary), and her diary runs from 9 January 1941 to 9 May 1941. The ending may feel a bit abrupt, until you remember that the diary ends, not because of anything historical happening, but because Rivke has reached the end of the Hans Christian Anderson book, and it was time to put it into the Archive. 

I highly recommend Wordwings to anyone interested in the Holocaust, WWII, or simply historical fiction. It is a valuable addition to the literature of the Holocaust, and has been named a Notable Book for Older Readers by the 2018 Sydney Taylor Book Award Committee.



This book is recommended for readers age 13+

I wish to thank Sydelle Pearl and Guernica Editions for providing me with a review copy of this book.

You can learn more about the Warsaw Ghetto at the Jewish Virtual Library.

You can discover more about Dr. Ringelbaum and the archive by visiting the online Yad Vashem exhibit about it.

Besides Hans Christian Anderson, Yiddish storyteller I. L. Peretz is also mentioned, and you can find out more about him at the Jewish Virtual Library

I was sorry I didn’t pay more attention to the places Rivke mentions in Wordwings, but you may want to do that. If so, here is a useful street map of the Warsaw Ghetto:

MAP:

Encyclopaedia Judaica (1971): Warsaw, vol. 16, col. 347-348. 

(FYI: the Warsaw Ghetto existed from October 31, 1940 to September 21, 1942, the final day of deportations to Treblinka, and also Yom Kippur). 

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Seized by the Sun: The Life and Disappearance of World War II Pilot Gertrude Tompkins by James W. Ure

It would seem that having been born in to a well-to-do New Jersey family, Gertrude Tompkins’ life should have been a happy one, free from care and stress. The third daughter of Vreeland and Laura Tompkins, right from the start, Gertrude stuttered just like her father. Vreeland dragged her to doctors throughout her childhood, trying all kinds of supposed cures for stuttering, and naturally, none worked except to make Gertrude miserable. School was especially difficult for her, and she made up excuses not to go whenever possible, finding solace in books and reading instead. 

After high school, Gertrude attended the Pennsylvania School of Horticulture for Women, where, though still feeling like an outsider, she found more acceptance than she had in her earlier school days. After graduating, Gertrude traveled abroad extensively, but returning home found herself feeling closed in and eventually moved into her own place in Greenwich Village, commuting to work in her father’s company in New Jersey everyday. 

During that time, Gertrude met Mike Kolendorski, a pilot in Eagle Squadron 71, and it was most likely Mike who introduced her to flying. After he left to fly for England, she began taking flying lessons, so when the United States entered WWII in 1941, and Gertrude learned that women pilots were needed to replace men now in service, she put in her application to become a part of the newly formed WASPs (Women’s Airforce Service Pilots).

It is speculated that Mike Kolendorski was the love of Gertrude’s life, but even her sister Elizabeth didn’t know for certain that this was true (Kolendorski was killed on a flying mission in 1941). Interviews with Gertrude’s fellow WASPs and friends yielded some information, and it was made very clear that she loved flying. 

At this point, the book not only explores Gertrude’s life in the WASPs, but also gives an in-depth history of how the WASPs began and it troubled existence. Gertrude was apparently a very private person, considering how little is known about her life. 

The book does do a great job of piecing together the life of Gertrude Tompkins. She apparently was a very private person, considering how little is known about her life, even by her sisters. It also does a great job giving a detailed account of the WASP and especially the poor treatment the women received from the men pilots and those in charge. There simply were no benefits for these courageous women who put their lives on the line in service to their country. They were forced to pay for everything they needed, while men were provided for, and they were also used to fly planes dragging a banner that was used for target practice with live ammunition and no health, medical, or death benefits if they are hurt or killed. Still, Gertrude and her fellow WASPs loved flying.

As the war began to turn in favor of the allies, and it looked like the end was coming, Ure speculates the Gertrude must have wondered what she was going to do afterwards. When a marriage proposal came from an old friend, Henry Silver, she reluctantly and unhappily accepted, mainly to please her father. Not long after, Gertrude disappeared shortly before taking off in a plane near Santa Monica Bay, California. Neither she nor her plane were ever found and what happened remains a mystery to this day.

I’ve read a number of fictional accounts of women who were WASPs during the war, (Flygirl, Velva Jean Learns to Fly, and Becoming Clementine) and I found that these fictional accounts about life as a female pilot corresponded really well with Ure’s factual information. I also thought he did a great job describing Gertrude’s life, though there was a lot of speculation wherever there were gaps. A number of searches for Gertrude have taken place, but to no avail and Ure theorizes on the possibilities of why nothing was ever found.

Do read Ure’s Afterword to discover how the book was put together. Additional back matter includes a list of Gertrude’s personal effects found in various footlockers and quarters, a Tribute to WASPs Killed in Service, detailed Notes, and an extensive Bibliography. 

This book is recommended for readers age 12+

This book was an EARC received from Edelweiss+

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The Librarian of Auschwitz by Antonio Iturbe, translated by Lilit Thwaites

In December 1943, Dita Adlerova, 14, along with her parents and 5,000 other Jewish prisoners arrived at Auschwitz-Birkenau from the Theresienstadt ghetto (also referred to as Terezín) in Czechoslovakia. Unlike most of the Jews who were transported to Auschwitz-Birkenau, this transport arrived with the notation SB - Sonderbehandlung. No one really knew what was meant by special treatment, but they were put into one of nine separate camps in Birkenau, called BIIb, and referred to as the Theresienstadt Family Camp. These prisoners were allowed to keep their clothing and their hair wasn’t shaved, although living conditions were just a deplorable as elsewhere in Auschwitz.

Thanks for Fredy Hirsch, the prisoner in charge of the children, Dita becomes an assistant in Block 31, a barracks that has been converted into a space for children during the day so that their parents can work. It is also a place that houses a secret school which includes a library of eight books that have been smuggled in by other prisoners and are in various states of disrepair. Dita’s job is to care for the books every day - removing them from their hiding place, delivering them to the teachers, and carefully putting them back into their hiding place. Dita takes her job so seriously, that when a surprise inspection that includes Dr. Josef Mengele happens, she risks everything to hide the books under her smock. 

But later that day, Dita runs into Mengele again,and she believes that he seems to know that she was hiding something that morning. He tells her he will be watching her from now on. His threat informs Dita’s life in Auschwitz with additional fear from then on, yet it doesn’t stop her from continuing her job as the librarian. 

The Librarian of Auschwitz is a powerful novel with a brilliant blending of fact and fiction. It is told mostly in the present tense, and I think the writing style may remind you of The Book Thief, especially the voice of the omniscient narrator who knows what has happened as well as what will happen. And I have to be honest and say it is a difficult book to read at times, but then, so are all books about the Holocaust.



Several of the characters are based on real people. Most of the Nazis in charge of Auschwitz, like Josef Mengele, the Doctor of Death, and Rudolf Höss, the camp commandant. The main character, Dita Adlerova, reflects the experiences of the real librarian of Auschwitz, Dita Polach Kraus, whom Iturbe interviewed in Israel when he was researching this novel. Iturbe also includes the stories of Fredy Hirsch, Rudi Rosenberg, and SS First Officer Viktor Pestek. Hirsch and Rosenberg were prisoners in Auschwitz, while Pestek was a guard who fell in love with a young Jewish girl. Other characters in the novel are strictly fictional, but whether real or fictional, each one contributes to the overall picture that Iturbe draws of this section of Auschwitz, an anomaly in what was a place where most people were sent to be killed upon arrival. 



And Dita's story is certainly an exemplary one. In the midst of so much heartbreak and horror, Dita derives a real sense of strength and purpose as the librarian, coming up with ways to improve the delivery of the fragile books to teachers, and carefully repairing them each day when they are returned. And, with the help of Fredy Hirsch, her sense of purpose develops into a way that Dita is able to cope with her own overwhelming fear, learning to accept it as part of who she is, and by recognizing it, she is able to overcome it and go on despite everything.

Thus, Iturbe’s draws Dita as a study of courage in the face of fear, and it becomes all the more poignant and admirable as she faces the horrors of Auschwitz, and later Bergen-Belsen. And while the actual atrocities that were endemic in the Nazi’s concentration camps and their treatment of Jews are difficult to fully capture in words alone, readers should know that Iturbe doesn’t hold back, that some of what he writes is quite graphic. 

Though fear, hunger, cold, death, cruelty, and loss of loved ones are the daily experiences of Dita and the other prisoners in Auschwitz and Bergen-Belsen, ultimately The Librarian of Auschwitz is a life-affirming novel that manages to end on a note of hope for the future.



A Teacher's Guide for The Librarian of Auschwitz is available from the publisher, Henry Holt and Co. (BYR) HERE



This book is recommended for readers age 13+

This book was an ARC received from the publisher

Map of Auschwitz II (Birkenau) showing Theresienstadt Family Camp BIIb and Block 31 where the secret school was held

        

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