Hiển thị các bài đăng có nhãn War. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn War. Hiển thị tất cả bài đăng

America at War edited by Lee Bennett Hopkins, illustrated by Stephen Alcorn: A poem for September 1, 1939



Today is the 80th anniversary of the start of WWII. I couldn't decide what to do to commemorate it so I turned to Lee Bennett Hopkins' book America at War to share some poems with my young readers. This book covers America's participation in war from the American Revolution to the war in Iraq. There are eight poems dedicated to WWII and I wish I could share all of them with you, but since my focus is on children and teens, and because children also wanted to do their bit for the war effort back then, I picked this poem by Amy Ludwig VanDerwater:










Refugee by Alan Gratz




In Refugee, Alan Gratz has seamlessly woven together the stories of three refugee children and their families from different time periods and different places in the world and brought their harrowing experiences together as each flees their homeland in the hope of finding safety and freedom elsewhere.






On Kristallnacht in 1938 Berlin, Nazis enter and destroy contents of the home of the Landau family, terrorizing Josef, 12, his younger sister Ruth, his mother, and arresting his father, Arron. When his father finally returns home, he is a broken man after spending time in Dachau. Luckily, the Landau family has secured tickets and the needed visas to emigrate to Cuba. 






On board the MS St. Louis, a luxury passenger ocean liner, the Jews fleeing Nazi Germany are treated well all the way across the Atlantic, but for Josef, the trip also brings stress. His father refuses to leave their cabin, insisting it is all a Nazi trick to send them to a concentration camp. When Josef turns 13 on the trip, he is able to make his Bar Mitzvah with the help of other passengers and ship’s crew. It would have been wonderful for Josef, if only his father could be at his side. 






When the ship reaches Cuba, it is held offshore for what feels like endless days. Then comes the news that Cuba has cancelled all visas and ordered the St. Louis to leave Cuban waters. The ship sails to the US, where the passengers are also refused entry. But if no country will take this ship full of Jewish refugees, the only recourse is to return to Germany and certain death.






For Isabel, 11, living in Fidel Castro’s communist Cuba, immigrating to the United States, el norte, is only an impossible dream. That is, until 1994, when Castro announces that anyone who wishes to leave Cuba would not be stopped. Then, Isabel discovers that her best friend Iván’s father has been secretly building a boat to travel the 90 miles to the Florida coast with his family.






Isabel is determined to go with them when her Papi is threatened with imprisonment by the Cuban police. Discovering that there is no gasoline for the escape boat, Isabel sells her beloved trumpet for what they need. In the middle of the night, two families, 9 people in all, pile into the boat, including Isabel’s pregnant mother, and take off for el norte, and hopefully leaving their homes in Havana behind. 






Fleeing the the US isn’t as easy a just enough gasoline, there is also the “wet foot, dry foot” policy. If you make it to the beach, you can stay, but if they catch you still in water, you are sent back to Cuba. Everything goes well for a short time, but then the trip begins to run into all kinds of problems and el norte seems even further away than before. Will they all make it before their boat sinks or the US Coast Guard finds them?






For Mahmoud Bishara,12, life in Aleppo, Syria in 2015 means trying to make himself invisible and making sure his younger brother Waleed is safe. But when the building the Bishara’s live in is hit and destroyed by a missile attack, the family knows it is time to leave Syria with its violent civil war behind and try to find refuge in Germany. 






Starting out in a Mercedes, and heading to Turkey, the Bishara’s have food, money and cell phones, but are soon caught in the cross hairs of fighting between Sunni and Shia Muslims once again, losing most of what they are carrying, including the car. Luckily, they manage to keep a cell phone. They finally make it to the border town of Kilis, Turkey by walking, and where Mahmoud’s father finds a ride to Izmir, Turkey and the possibility of a ferry to Greece. But they also discover that there are people along the way who will do anything to take advantage of the plight of desperate Syrian refugees in a country where they are not welcomed.






After waiting days for a ferry to arrive, they finally board an overly crowded, not very sea worthy  boat. But when a storm hits, they are thrown overboard into an angry sea, where Mahmoud must make a heartrending decision in order to try to save at least one person in his family.






Each of these stories are heartbreaking and harrowing to read and really bring home what it is like to be a refugee in a world that just doesn’t want you. Gratz draws out the tension by telling the stories of Josef, Isabel, and Mahmoud in alternating chapters, each chapter ending in a bit of a cliff hanger, not for the sake of drama, but to emphasize the level and frequency of danger that is faced by refugees.






And though their stories are separated by time and place, Gratz manages to highlight the universal similarities refugees faced in the 20th and 21st centuries. Though each protagonist stands on the cusp of adulthood, they all must take responsibility and make hard decisions that impact their families and the outcome of their flight when the adults around them are incapable of doing it. 






Readers can trace the route Josef, Isabel, and Mahmoud traveled to their final destinations with the maps found at the back of the book (and I continuously referred to them while reading), and please read the Author’s Note for more information about these young heroes.






Facing hardship, trauma, loss, hunger, and invisibility, the stories of Josef, Isabel, and Mahmoud form a poignant look at life on the run. But ultimately, each one gives us reason to hope. 



A useful discussion guide from the publisher can be found HERE






This book is recommended for readers age 10+


This book was an ARC sent to me by the publisher, Scholastic Press




Threads of Blue by Suzanne LaFleur



Threads of Blue is the sequel to Beautiful Blue World, a story about children involved in an nameless war between fictional countries, a landscape that bears an uncanny resemblance to Europe. After being tested for their suitably, some children of Sofarende are sent away from their families to a remote area called Faetre as part of an Adolescent Army unit, where they worked on important intelligenc for the war effort. While in Faetre, the children were not allowed any contact with their families. 



You may recall that at the end of Beautiful Blue World, Mathilde Joss, 12, had committed what might be considered an act of treason that had caused her to become separated from the other members of her Adolescent Army unit as they are being evacuated to the safety of Eilean, an ally of Sofarende.



Now, Mathilde must try and find out where the Adolescent Army is on Eilean, after being brought across the sea that separates it from Sofarende. There is danger everywhere, even on Eliean, but Mathilde meets a kind family who takes her to a refugee camp to wait until she is eventually reunited with the other Sofarende kids and adults in her unit.



Once reunited with them, Mathilde waits to see if she will be punished for what she did before leaving Sofarende. And, even worse, her best friend Megs refuses to speak to her or even look at her for reasons Matilde can’t figure out, yet everyone else is as friendly as they had always been. Meanwhile, as Sofarende falls to the constant bombing of its enemy Tyssia, Mathilde works on maps to determine where their air force should drop their bombs in Sofarende in order to drive out the Tyssians.



While Mathilde tries to deal with some of the moral and ethical issues inherent in her war work and war in general, she must also come to terms with loss on several levels. Surprisingly, she gets help from an unexpected source, and moral support from others. All Mathilde really wants is to be best friends with Megs again, and to return to her beloved home and family. But then the horror of war, and the senseless killing and destruction that comes with it are brought home to Mathilde when she is sent to Sofarende on a secret mission. Will this young girl ever find the love and peace she craves?



If you haven’t read Beautiful Blue World, I would recommend doing so, but even if you don’t, you will have no problem reading Threads of Blue. There is enough explanation of the events from the first book embedded in this sequel so you won’t be lost.



The story is told from Mathilde's point of view, though experience has taken some of the innocence out of her stream-of-consciousness observations. She astutely describes life as a refugee living in a camp set up for Sofarenders fleeing their country as the war intensifies: the constant hunger, the inability to wash, the feelings of frustration everyone feels, all while mourning the loss of their country and loved ones. And when she returns to her homeland, she is stunned by the extent of ruin that the war had inflicted. In that respect, the images LaFleur word paints are particularly poignant and so, so very anti-war.   



Along that vein, look closely at the cover image of three children, two boys and a girl wearing a knapsack, who is obviously Mathilde, sitting in a row boat. They couldn't look more innocent, until you look more closely and see the faint shadows of bombs falling on them. This image says so much.



Like Beautiful Blue World, Threads of Blue is a brilliant novel about the ravages of war, but it is also a story about holding on to who you really are even when it causes you trouble, and facing life with bravado, honesty, and hope in a world where none seems to exist. These are two books not to be missed.



This book is recommended for readers age 9+

This book was purchased for my personal library.