Hiển thị các bài đăng có nhãn YA. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn YA. Hiển thị tất cả bài đăng

White Rose by Kip Wilson



The people I tend to admire most are the ordinary citizens who find themselves in extraordinary circumstances and who act bravely in the face of danger. Which probably explains why I like resistance stories do much. One of those people who has always been high one my list is Sophie Scholl, the young German university student who stood up to the Nazis and paid with her life. So naturally, I was pretty excited when I read that a novel in verse about Sophie and the other members of the White Rose resistance was being published. And when I was offered an ARC of Kip Wilson's work, I jumped at the chance to read it. I was not disappointed. Wilson definitely did Sophie justice in this fictionalized biography.



Told in free verse, Wilson opens her fictionalized biography of Sophie with her arrest in 1943 and her first interrogation by the Gestapo, then immediately sends the reader back to 1935 and happier, almost carefree days with her large, loving family. At first, Sophie and older brother Hans are willing members of the Hitler youth - she in the Bund Deutsche Mädel (BDM) and he in the Hitlerjugend (HJ). But as more restrictions are imposed on Germans, and especially on German Jews, Sophie begins to see Hitler's regime for what they really are.



By the time she's at university with Hans, Sophie has done much soul-searching, worrying that her silence makes her complicit in the regime's shameful actions, and now she desires only to do the right thing - to stand up for her beliefs. Soon, a leaflet comes her way, and judging by the inky fingers on Hans's hands, she suspects he has something to do with it, and angered that he has used her idea:



"Duplicating leaflets and sharing

them with the world -

this was my idea.



My own brother excluded

me, probably thinking,

She's only a girl." (pg. 139)



Calling themselves the White Rose, Sophie is determined to be part of her brother's resistance group and work on the anti-Nazi leaflets they produce. Once she is finally let in, her job is to make sure the leaflets get into the hands of an many people as possible, including some influential people.



While the Sophie and the other members of the White Rose work against the Third Reich, readers also follow the efforts of Robert Mohr, the Gestapo investigator who is determined to find and arrest the traitors who are "the masterminds of this plot" to undermine the Nazi government. We hear from Hans, Christoph Probst, who was executed along with Sophie and Hans, Sophie's friend Fritz, even Jakob Schmid, the school custodian who turned them in, and more, making this a really in-depth, well-rounded narration. But one of the things I really liked was how Wilson shows readers that Sophie, Hans and their friends were also typical kids, getting together and listening to music and just enjoying each other's company. Their passion and their friendships are kind of things that makes them so easy to identify with.



Although, Wilson arranged White Rose in a non-linear way, going back and forth in time to present events relevant to understanding how and why the Scholl siblings did what they did, it is not at all confusing, but rather heightens the tension and at the same time, makes the actions of the White Rose all the more inspiring.



Of course, we know how things turn out for Sophie and the White Rose resistance, but Wilson has nevertheless created a nail-biting story that gives some insight based on extensive research into what the key figures might have been thinking and feeling, both the pursued and the pursuers. 



Sophie Scholl never regretted what she did, and went to her death believing that the world would take notice of what she did, learn from it, and carry on the work of defeating the Nazis:



"Because I am

courageous and

matter-of-fact

about what I hope will happen now:



That the world will see

and the world will know

and the world

will

make

them

stop." (pg. 332)



Sadly, that didn't happen in Nazi Germany but because White Rose is such a well-done work of historical fiction, it will hopefully resonate with readers in today's world.



Wilson's back matter includes a list of the Dramatis Personae, a Glossary of German words and phrases used, a list of Selected Sources for more investigation, and an Author's Note.



You can also find a Reader's Guide that uses both White Rose by Kip Wilson and We Will Not Be Silent: The White Rose Student Resistance Movement that Defied Adolf Hitler by Russell Freedman courtesy of Versify Books.



This book is recommended for readers age 12+

This book was sent to my by the publisher, Versify


Jazz Owls: A Novel About the Zoot Suit Riots by Margarita Engle, art by Rudy Gutierrez





It's 1942 in Los Angeles, California. America hasn't been in World War II very long, but already the country is doing maximum war effort work. And that includes Mexican American sisters Marisela, 16, and Lorena, 14, who work long, exhausting days in a cannery, canning fruits and vegetables that will be sent to the armed forces overseas. But when night comes, the sisters are escorted to the local USO by their younger brother Ray, 12, to dance the night away with navy recruits on leave before they ship out to fight in the Pacific. Oldest brother Nicolás is off fighting somewhere in the where.



Rau may only be 12, but he already identifies as a zoot suiter, wearing the large jacket and loose pants, he calls drapes, that are their signature style and giving dancers plenty of room for dancing the jitterbugging and lindy hop. One night, after dropping his sisters off at the USO, Ray heads to a private party at a place called the Williams Ranch. A fight breaks out there and some members from "the 38th Street gang" leave but later return to get revenge. Ray is beaten up pretty badly, and another teen named José Díaz is found with stab wounds, and dies the next day. Ray is arrested along with members of the gang.



Reporters slant the story about the so-called "Mexican Problem" and the zoot suiters in such a way that they influence their readers against them for being unpatriotic. First, because they are Mexican, and second, they feel the large amount of fabric in a zoot suit is a waste and should be used for the war effort instead. Eventually released, Ray and the other zoot suiters are now seen by police, reporters, and civilians as baby gangsters.



Meanwhile, Marisela meets an Afro Cuban musician named Manolito and the two fall in love and want to get married, but California's anti-miscegenation laws of 1941 prohibit them from doing that. Ironically, Marisela, though of Mexican descent and hated by whites for that, is still considered "white" under this law, and can even marry a white person, but not a person of African descent.



Tensions increase over the next 10 months, during which time the family learns that Nicolás is now Missing in Action. The trial for the murder of José Díaz also concludes with a conviction of "a bunch of Mexican kids" sent to San Quentin for life.



The convictions only serve to outrage the white sailors nearby, and one night they go on a rampage, terrorizing Mexican Americans, publicly beating and stripping any zoot suiters they find of their drapes and burning them, including Ray. Even though the police see what is happening, they do nothing to stop it, ultimately arresting a hundred kids and only two sailors.



Angry at the pervasive discrimination they experience and the unimaginable violence they witness against the Mexican American community, and the poor working conditions at the canneries and factories they employ them, especially when so many have family members fighting in a war for freedom, the Zoot Suit Riots have a profound impact on the future of all three siblings.



Jazz Owls tells the story of a not very well known part of American history. is a novel told in free verse. It is told mainly in the voices of Marisela, Lorena, and Ray, and to a lesser extent, by their Papá, Mami, Abuela, different reporters, sailors, police, and even the spirit of José Díaz. It sounds confusing, particularly since this is a relatively small volume, but each is realized to the extent that they need to be and plays a pivotal part in the narrative.



Jazz Owls is a work of historical fiction based on real events and gives readers a window into the lives of patriotic Mexican Americans living in California during World War II. By interrupting and interrogating the predominate narrative in much the same way that books about the lives of African Americans, Japanese Americans, and Chinese Americans do, it draws attention not only to the roles they played in helping to win the war, but also the unmitigated bigotry they were made to deal with on a daily basis.



Ray calls zoot suits drapes, and whenever I look at Rudy Gutierrez' incredibly expressive illustration on the cover of Jazz Owls I can see exactly what he means, it is sheer drape and one of the most striking covers I've seen in a long time.



Jazz Owls is a much needed addition to the body literature about WWII historical fiction based on a real event, and I believe today's readers may be surprised at how much the story of a Mexican American family and the racial hate they faced that led to the Zoot Suit Riots will most certainly resonate with them.



This book is recommended for readers age 12+

This book was borrowed from the NYPL




Maybe (Book #6 in the Felix and Zelda family of books) by Morris Gleitzman





When last I left Felix and Gabriek in Soon, Book 5 of the Felix and Zelda family of books, I wrote that I hadn’t really gotten a sense of closure when I finished reading but perhaps that is as it should be. WWII was over and I was pretty sure it was the last in the Felix and Zelda series. Well, as you can see, I was wrong.  






Maybe is the 6th and next to the last book in the series (how do I know there’s going to be a 7th? Because I read that all-important Dear Reader from Morris Gleitzman at the end of the book).






It’s 1946, and Felix is 14 years old. He and Gabriek are traveling back to Gabriek’s farm with a very pregnant Anya. What a surprise when they arrive and discover a group of men rebuilding the farmhouse the Nazis had burned it down in After (Book 4). A neighbor has claimed the land as his own, and soon Felix, Gabriek, and Anya are on the run again. Anti-Jewish hate is still strong, and Gabriek is considered a traitor for having hidden Felix during the war. 






In an attempt to straighten things out, Felix, Gabriek, and Anya go to town, where they are soon surrounded by a large, angry mob, including Felix’s old enemy, the sadistic Cyryl (Then, Book 2). A fight breaks out and both Felix and Gabriek are seriously injured before it is broken up by an Australian air man and his female driver, a woman named Celeste. Unfortunately, the Australian is seriously shot, but with his partisan training as Dr. Zajek’s medical assistant (After, Book 4), Felix is able to save him before being knocked unconscious himself. 






When he wakes up, Felix finds he is at an air base set up by the Australian Air Force along with Anya and a still unconscious and seriously injured Gabriek. Eventually, the three are able to leave hospital and stay with Celeste, who has her own war horror story. Felix is introduced to a man named Ken who wants to take him back to Australia as a war survivor to show Australians what they were fighting and dying for, and to help repopulate the country after suffering so much loss of life in the war. Felix isn’t too keen on the plan because he would have to leave Gabriek and Anya behind until he completely healed and she has her baby. 






Nevertheless, Felix reluctantly agrees to fly to Australia on condition that Gabriek, Celeste, Anya and the baby will follow by ship as soon as possible. The plane is a Lancaster, a heavy British bomber, and it doesn’t take long to discover that there is a stowaway on board. And while Felix and Anya finally think they are on their way to a safe place, their story is far from over. And once again, Felix is faced with a life and death decision similar to the one he made in Once, Book1, when he and 6 year old Zelda jumped from the train that was taking them to a concentration camp and certain death. Will Felix and Anya survive their jump?






Maybe can be read as a stand alone novel or in the sequence in which it was written. Gleitzman includes enough background information for readers new to the series to know what they need to know about Felix, Gabriek, and Anya’s past. And he continues exploring themes of family, friendship, as well as the aftermath of war (including kindness, hate, help, loss, and revenge), and now, emigrating to a new country. 






You would think that by the sixth book about the same character the appeal and quality would have worn thin, if not worn out. Not so with the Felix and Zelda family of books, as Gleitzman calls them. Felix is four years older than when the series began, and yet, he is still the same optimist with an good helping of naivety thrown in despite the fact that his life has been full of false hopes and lots of  maybes so far. And I can’t help but wonder why he isn’t angry, bitter, and resentful given what he has gone through and the people he has loved and lost. It is a credit to Gleitzman’s writing that the series is still so vibrant, and even more relevant in today’s world where intolerance of others is on the rise.






It has been an interesting journey with Felix and the various people he met along the way. I am looking forward to reading Always, the 7th and final book, in which Gleitzman says he will bring Felix’s story full circle. I can't help but wonder how.






Maybe has already been released in Australia and Britain, but not yet in the United States. Once again, I was anxious to read it, and bought a copy from Book Depository (hooray for free delivery worldwide), and couldn't put it down once I started reading.



This book is recommended for readers age 12+

This book was purchased for my personal library








The First 5 Books in the Felix and Zelda Series




Among the Red Stars by Gwen C. Katz




Inspired by her hero Marina Raskova, Valka Koroleva, 18, wants nothing more than to fly for her country, the Soviet Union. Already a pilot, Valka’s first attempts to join the Red Army Air Force or VVS (Voyenno-Vozdushnye Sily) are initially turned down, but by September 1941, things have changed and they put out a call for qualified female pilots. 






And Valka is beside herself to learn that Marina Raskova will be in charge of the women pilots, and to be accepted into the initial training program Aviation Group 122 along with her cousin Iskra Koroleva, 21. 






Meanwhile, Valka’s childhood friend Pasha Danilin, 17, has been conscripted and is serving as a radioman in the Red Army. As enthusiastic as Valka is fight the fascists, Pasha is just the opposite. A sensitive person, who hears the sounds of the world in different colors, Pasha is just not cut out for war.






Valka’s cousin Iskra, with whom she is very close, is the daughter of “wreckers,” who were accused of sabotaging the 1937 census. They were arrested and imprisoned, and this fact follows and causes problems for Iskra, even in the VVS.  






The majority of the novel is focused on pilot Valka and navigator Iskra’s experiences on the ground and in the air, with a great deal of attention given to the sexism that the women pilots had to deal with while proving themselves to excellent aviators and brave fighters. Not that dropping bombs on enemies is done easily - Valka and Iskra are fully aware that they are taking lives.






Most of the action is told through an exchange of letters between Valka and Pasha, which also allows for orienting the reader timewise. Not only does the reader get a clear picture of what is going on, but they also get a lot of factual background information. This is one of those books that prompted me to look up people, places, and events that are included, to find out more. 






Katz also develops the feelings that Pasha and Valka have for each other, taking them from friendship to a deeper love. I hate to use the word romance here as some have,  because that might lead some readers to think this is a romance novel, when in reality it is excellent historical fiction with a romantic sub-story.






Among the Red Stars is a nice blend of fiction and reality. Through Valka and Iskra, Katz  traces the difficulties faced in creating the training Aviation Group 122 that later became the three regiments - the 586th, the 587th, and the 588th. Mixed among her fictional characters are some real heroic women aviators who fought and even lost their lives in WWII. And Katz does not hold back on some of her descriptions of the fighting - air and ground. 






Among the Red Stars is an exciting debut novel, occasionally bogged down by the descriptions, but otherwise very well worth reading, especially if you like historical fiction, or have an interest in WWII history, women’s history, aviation. Katz includes more information about Aviation Group 122 and the fate of some of the Russian women who flew in WWII.




FYI: the success of the Russian women aviators of the 588th Night Bomber Regiment, in which Valka and Iskra serve, earned them the name Nachthexen or Night Witches by the Germans.  






Pair this with Flygirl by Sherrie L. Smith and Code Name Verity by Elizabeth Wein for an interesting comparison of fictional representations of female pilot experiences in WWII. 


For anyone interested in more information about the women who flew for the Soviet Union in WWII, these two were recommended by Gwen Katz, author of Among the Red Stars. They are A Dance with Death: Soviet Airwomen in WWII by Anne Noggle, published by Texas A&M University Press, 1994, 2007; and Wings, Women, and War: Soviet Airwomen in World War II Combat by Reina Pennington, University Press of Kansas, 2007. 



This book is recommended for readers age 13+

This book was a ARC provided by the author










This is the kind of plane the 588th flew in the nightly bombings.

It was made of canvas and wood

Source: By Douzeff - Own work, CC BY-SA 3.0