Hiển thị các bài đăng có nhãn Resistance. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Resistance. Hiển thị tất cả bài đăng

White Bird, a Wonder Story written and illustrated by R.J. Palacio, inked by Kevin Czap




**May Contain Spoilers**



If you have already read R.J. Palacio's book Wonder, than you might remember 10-year-old Julian, the boy who bullied Auggie and made his life so difficult. Well, every bully has a reason for being like that and so R.J. wrote The Julian Chapter to help readers understand him. And if you've also read The Julian Chapter, you may remember his Grandmére telling him about her experience in WWII, hiding from the Nazis. Well, now White Bird, done in graphic format, expands that story and you won't want to miss it.



Given a school assignment to interview someone he knows for his humanities class, Julian, in a video chat with his Grandmére in France, asks if she would tell him again about the boy named Julien who saved her life during the Nazi occupation of France. As Grandmére begins her story, the novel flashback to that time. Living in Paris with her mother, a math teacher, and father, a renowned surgeon, Sara Blum is a happy, friendly Jewish girl, not very good a math, but very artistic. In school, Sara has been sitting next to a boy named Julien for years, but has never spoken to him. Julien had been stricken with polio and now walks with crutches. Nicknamed Tourteau because of crab-like gait, he is the subject of some pretty cruel treatment, especially by the school bully and Nazi sympathizer, Vincent.







After France falls to the Nazis in 1940, little by little life becomes difficult for French Jews, but Sara and her family live in the free zone (Vichy France - no explanation about this in the text) and they believe they are relatively safe. That is, until the winter 1943, when the Nazis begin roundups. As the Jewish children in Sara's school are rounded up one day and taken away by the Nazis, Sara is able to escape and hide in the unused bell tower. Which is where Julien finds her before the Nazis do (but how did he know she was there?) and sneaks her out through the city sewers, taking her to his family's barn, where she can hide in the hayloft.



Sara remains hiding in the hayloft until the end of the war with the help of Julien and his parents, hiding from nosy neighbors who are believed to support the Nazis, and knowing she will probably never see her parents again.



White Bird is Palacio's debut graphic novel and the graphic format worked for me because I know kids like them and there's a good chance they will read this book. I also like a well-done comic. It doesn't bother me that the panels aren't perfectly lined up and I prefer the inking to be done is soft colors rather that bold garish colors for this targeted age group.  The novel is divided into three parts that take place when Sara is in hiding and after the war, plus a prologue and epilogue in the present day, and each is introduced with a relevant quote by people like George Santayana, Anne Frank, and Muriel Rukeyser. 



So, while I do feel that White Bird is a very worthwhile book when I first read it, a second reading revealed some flaws. As with her other Wonder books, the real agenda of White Bird is to extend the message of kindness, as Julien's mother tells Sara: "In these dark times, it's those small acts of kindness that keep us alive, after all. They remind us of our humanity." But, with this message in mind, it must be very difficult to find a balance of what to reveal and what to not include when writing a Holocaust story. My feeling about White Bird is that it a book full of good intentions, a book about resistance and courage, that carries an important message for today's world, given the rise of nationalism, but doesn't quite find this delicate balance.





This makes it a somewhat flawed novel. Sara lived in a barn's hayloft and yet no Nazis ever demanded to search it, as they did in reality, looking for hidden Jews. And one only gets a hint at the horror of the Holocaust, as when the Nazis discover what happened to the other Jewish school children and kill the marquisard who was trying to save them (what's a marquisard?) Yes, this is dealt with in the back matter, but how many 10-year-olds look at back matter? What drove me really crazy is the Sara was such a passive character. She did nothing to help herself, Julien's family, or the resistance. Maybe I've read too many books where the Jewish protagonist acts that I've come to expect that kind of resistance action. Sara should have been more of a heroic character, but her passivity precludes her from that.



In the end, though, I would highly recommend this book for middle grade readers. What saves it for me is connecting the events of WWII and the Holocaust to the present day policies towards refugees, as Santayana reminds us: those who cannot remember the past are condemned to repeat it.



Back matter does include an Afterword by Ruth Franklin, an Author's Note, a Glossary, a Suggested Reading List, and Organizations and Resources for further research, and a Bibliography.



This book is recommended for readers age 9+

This book was borrowed from the NYPL


The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler written and illustrated by John Hendrix



In its starred review, Kirkus calls The Faithful Spy an audacious graphic biography and it certainly is that. But then again, it is about a man whose whole being centered around theology and his own religious beliefs at a time when these beliefs were about to be sorely tested. Illustrated in bold teal, red, and black against black, white, teal or red backgrounds, this is equally a story about Adolf Hitler's seizure of power and of the rise of the German resistance.



Twins Sabine and Dietrich Bonhoeffer were born in Berlin, Germany 1906, second to last children in a large Lutheran family, one drawn more to science than theology. Dietrich, however, developed an interest in theology early in life, but felt that something was missing from the church he loved so much. He realized that something was causing it to feel static, to feel like just an academic exercise, and after a trip to Rome, he began struggling to discover how he could change that and make the church dynamic.



In 1930, Dietrich left Germany to study at Union Theological Seminary in New York City. There he met Frank Fisher, an African American and Jean Lasserre, a Frenchman. When Fisher took him to the Abyssinian Baptist Church, where a surprised Bonhoeffer saw the energy of the people at worship, heard them encouraged to act against the world's injustices, and to put their faith in God in opposition to the world's evils by their pastor, Rev. Adam Clayton Powell. From Lasserre, Bonhoeffer leaned that the church should be independent of the state, and should exist to help and serve the people, not to tell them what to do. After a year in NYC. Bonhoeffer returned to Germany, shortly before Hitler seized power.



Hendrix parallels Bonhoeffer's changing ideas about the church with Hitler's rise to power. Both have compelling stories that are made all the more interesting because they are such polar opposites. But, there is no lesson to be learned from Hitler's story, and everything to be gained from Bonhoeffer's. And Hendrix makes it a point to focus on Bonhoeffer's faith and his developing belief that the church required the faithful to act against injustice. Bonhoeffer joined the resistance, where he was able to serve as a double agent, reporting to Hitler's Reich and at the same time, gathering information for the resistance. When the plot to assassinate Hitler finaly became a reality, Bonfoeffer faced his greatest struggle between behaving morally as his religion ordained or acting against those moral principles by taking a life. He found his answer in Martin Luther to sin boldly:







Using only a three color graphic design, Hendrix has created a dynamic format with which to tell Dietrich Bonhoeffer's story. This is not a panel by panel work, but one that incorporates  a variety of layouts, nor is it a strict biography, there's plenty of text and allegorical illustrations used throughout to emphasize or illustrate a particular point:







The text is handwritten, and small, and affords plenty of information to be included on each page. There are some maps, and the allegorical illustrations have the feel of a good political cartoon. The whole book has the feel of old comic books from that time period, which somehow gives it a nice sense of authenticity. I wondered if this would make it more or less attractive to kids given how glitzy comics are today. Hopefully, the excellent visuals and compelling subject matter will pull them in. What I found most interesting is its relevance for today's world.



Be sure to read Hendrix' Authors Note at the back of the book, along with the other informative back matter.



The Faithful Spy is a book that will have such widespread appeal to readers, artists, comic book lovers, historical scholars, and everyone else and I can't recommend it more.



This book is recommended for readers age 10+

This book was purchased for my personal library

Skylark and Wallcreeper by Anne O'Brien Carelli



It's August 2012 and Superstorm Sandy has hit New York City with all her force. With rising waters flooding the first floor of the Rockaway Manor Nursing Home in Queens, it's time to evacuate the residents. And that includes Lily, 12, and her 80-year-old grandma Collette, whom she happens to be visiting. But not before Granny insists Lily find and bring along a flat red box, and slips back into speaking her native French as soon as Lily asks what's inside.



Flashback to Nazi-occupied Brume, a small town in the south of France in the winter of 1944. A 12-year-old Collette, disguised as a young boy named Jean-Pierre, is working for the resistance. Her job is to deliver a package. In reality, it is a code for letting other resistance members know if their next operation against the Nazis is a go or not. The confirmation that the message was received is an X marked in her notebook with a Montblanc fountain pen. Collette's stealthiness and success at avoiding Nazis soon earn her a code name, Wallcreeper, and a place in the resistance group referred to by the Germans as Noah's Ark.




Back to 2012: once Superstorm Sandy has finally passed and her granny is settled in on a cot at the Brooklyn Armory, Lily is asked by one of the nurses if she would try to scrounge up some food - preferably free food. Before she leaves to do that, granny shows Lily what's in the red box - a very special Montblanc fountain pen with the initial F engraved on the side - and asks her to keep it safe for her. Lily manages to find free food, but in the process she loses the pen her granny asked her to safeguard.



Realizing that her granny will be upset if she learns that she has lost her special pen, Lily is determined to find it or one just like it. Armed with a packet of old letters written in French and addressed to her Granny, Lily's quest for the lost pen will take her to an odd little pen store in Manhattan, on a long train ride to Stratford, CT and a meeting with Skylark. Along the way, Lily will interact with a variety of interesting people, all willing to help her accomplish her pen quest. And it all unfolds without her frantic mother's knowledge (or permission).



As more surprising details about her granny's life unfolds, a life neither she nor her mother had any knowledge of, Lily learns the identity of Skylark and Wallcreeper - two young French girls working together in the Noah's Ark resistance where members only go by the names of animals in their quest to help defeat the Nazis.



Although Skylark and Wallcreeper is written in two time periods, it is not a time travel book. Lily stay firmly in 2012, it is Granny's story as a 12-year-old resistance worker in 1944 that is interspersed with the events of 2012 and Lily's story throughout the novel. Interestingly, the present is told in the first person by Lily, and the past is narrated in the third person, so there is no confusion.



Usually when I read a dual time setting novel, I end up wishing the author had just written two separate books instead of combining them. However, in this novel, I really thought it worked well. There was just enough of the past and present to satisfy. The chapters that take place in WWII always start at an appropriate point in Lily's story, so it is not a jarring jump into Nazi occupied France.



I found myself completely caught up in Lily and Granny's stories immediately. Lily, Granny, and Skylark are appealingly vivid characters, more well-rounded than the supporting characters around them. In German, there are these words called flavoring particles which add particular zest to a sentence and that's how I felt about the secondary characters in this novel. They really add a lot, but it remains Lily, Granny, and Skylark's story.



Skylark and Wallcreeper is a very satisfying, compelling novel that examines the importance of friendship, family relationships, courage and loyalty in the face of difficult and challenging times. There are a few peccadillos, but not so bad as to spoil the overall story and I would still highly recommend this book.



Do read the Author's Note to learn when elements of this novel are based in fact and what is based in fiction.



This book is recommended for readers age 9+

This book was an EBOOK provided to me by the publisher, Little Bee


The Edelweiss Pirates by Jennifer Elvgren, illustrated by Daniela Stamatiadi



In a country where any form of resistance or rebellion against the repressive Nazi regime almost always meant certain death, most resisters and defiers went underground and worked from there. But one group that was more open in their defiance was the Edelweiss Pirates. This was loosely connected groups of youths throughout Germany who lived by their own moral code, refused to participate in the Hitler Youth, and continued to do things the way they wanted and that included swing dancing and listening to jazz, both of which were prohibited in Nazi Germany.



Now, Jennifer Elvgren, who wrote the excellent book The Whispering Town, has successfully captured the rebellion of the Edelweiss Pirates in her new book. Taking place in 1938, and told in the first person present, it is the story of Kurt, the younger brother of Albert, a member of the Pirates. Kurt desperately wants to be just like his brother and join him with his friends swing dancing, listening to and playing the music of great jazz artists like Louis Armstrong and Duke Ellington. But as Albert sneaks out one night, he tells Kurt that he's too young and it's too dangerous - they could be arrested. Instead, Albert gives Kurt a Louis Armstrong album.



That weekend, Kurt invites his Jewish friend Fritz to listen to the album with him. Fritz sneaks in through the same window Albert sneaks out of. The two boys are soon playing the music on the album by ear - Fritz on sax, Kurt on trumpet. At school, Kurt becomes more and more troubled as he sees anti-Semitic incidents directed at Fritz, but knows it is not the place challenge these acts. Instead he waits impatiently until he can be an Edelweiss Pirate like his brother - painting over swastikas and spreading around anti-Hitler leaflets.



Even after witnessing Fritz being forced to read a story to the whole class that says the Jews are their enemy, Kurt still does nothing to help his friend. Then, the school concert comes around, and the students are supposed to play music by Hitler's favorite composer, Richard Wagner. With his parents sitting in the audience, there to hear him play his trumpet, Kurt thinks of all the humiliations he has seen Fritz subjected to and before he knows it, he has finally finds a way to declare his defiance by loudly playing Louis Armstrong"s Saint Louis Blues instead, to the surprising accompaniment of Albert and the other Pirates, and even with some support from the audience, including his parents.



Such acts of open defiance were dealt with harshly, and Kurt is aware of that, but it was worth the risk. The next morning he discovers a note with an Edelweiss pin from his brother. Kurt is finally a Pirate, with the code name Blues.



The Edelweiss Pirates is indeed an interesting look at a group of resisters that most people have never really heard of, and although they didn't start out as saboteurs, by 1938, they were beginning to increase their subversive acts against the Nazis.



I liked that the story was told from Kurt's point of view. This coming of age story allows his frustration at not being able to protest the things he is seeing to grow until he must take a stand, even at the risk of severe punishment at school, and possibly at home. 



Stamatiadi's earth-toned illustrations are simple, but never let the reader forget that they are reading a book that is set in Nazi Germany by including the symbols of that regime throughout, including the required picture of Hitler in the classroom.



At a time when most people were afraid to speak out against the injustices and cruelties they were witnessing on a daily basis, Kurt is an inspiring character, finding his voice and means to protest. This is indeed a picture book for older readers that should resonate with strongly with them even today.



Be sure to read the Author's Note at the back of the book to learn more about the history of the Edelweiss Pirates. You'll also see that there aren't any recommendations for age appropriate further reading on this topic because there simply wasn't anything until The Edelweiss Pirates was published.



This book is recommended for readers age 8+

This book was obtained from the author at BookExpo





Live in Infamy (companion to The Only Thing to Fear) by Caroline Tung Richmond



Live in Infamy continues the alternative history begun in The Only Thing to Fear. The premise of both books is simple - it's 80 years after the Allies have lost WWII, and the Axis powers have divided up the United States into three territories - the Eastern American Territory (EAT) ruled by the Nazis, the Western American Territory (WAT) ruled by Imperial Japan, and the Italian Dakotas. And like all oppressive regimes, there is a resistance movement seeking to thwart and overthrow them. The Only Thing to Fear focused on the Eastern American Territory and resistance leader Zara St. James, who is also an Anomaly.



In Live in Infamy, Richmond takes the reader to the Western American Territory (WAT). where they meet Ren Cabot, a 16 year-old Chinese American whose Chinese mother was in the resistance and executed five years earlier. Since then, Ren and his father have worked together in the family's tailoring and cobbling business. A resistance movement still exists in the WAT but now essays by someone known only as the Viper are circulating and causing unrest among the people, and especially ruling Crown Prince Katsura, who wants nothing more than the catch the Viper. And no one suspects that Ren is the Viper, including his father, Paul Cabot, and cousin Marty.



Paul Cabot has recently been summoned to Fort Tomogashima, also called the Fortress, to help with sewing uniforms for an upcoming Joint Prosperity Ball. But one night, Marty brings him home with a badly injured hand, and Ren discovers they are both in the resistance. It is decided that Ren will take his father's place in the Fortress, where two other resistance members are already embedded.



Once inside the Fortress, the plan is to kidnap the Crown Prince's daughter, Aiko, during the ball, and take her to Alcatraz. Marty has intel that there are prisoners being held there, and when Ren learns his mother might be one of them, the mission becomes personal. But it is more than just about rescuing prisoners. Alcatraz is also being used as a laboratory for experiments with Anomalies.



Before the war, the Nazis had been involved in genetic testing in their concentration camps. The result was super soldiers called Anomalies, each of whom has a particular super human ability. Used by both the EAT and the WAT, the number of Anomalies has been dwindling quickly, and need to be replaced. More testing has resulted in a genetic breakthrough called V2, a joint effort of the Empire and the Nazis. The Joint Properity Ball is a chance to deliver V2 to Alcatraz while everyone's attention of focused elsewhere. But the resistance also really wants that V2 and the fifteen remaining Anomalies in Alcatraz.



At the Fortress, Ren also discovers that the Viper's essay's against the Empire are a focus of the Crown Prince's anger, so much so that he is willing to, and does, execute anyone caught with a copy of an essay - and copies are circulating widely. Marty and the resistance have come up with a wild, convoluted plan, but if the mission fails, Ren's cover could easily be blown.



Live in Infamy is not just a dramatic companion to The Only Thing to Fear, it is also a worthy one, and I think Richmond has really honed her writing chops for this second novel. She has included just enough twists and turns to make the story interesting, exciting, and suspenseful but not so much that the reader has trouble following the plot - and the best part is that it is a stand alone novel. Which means that if you missed reading The Only Thing to Fear, that's OK, although you might want to read it as well.



I thought Ren was a nicely developed character, one whose anger at the injustice and treatment of racially different and racially mixed people is totally justified. Other characters, like Marty, Mr. Cabot, and even Greta Plank, who plays a large part in Ren's time within the Fortress, aren't quite as developed as I would have liked them to be given their roles in the story's plot, but I don't think that diminishes the overall enjoyment of the novel.



I should also mention that there are some violent scenes so this book may not appeal to more sensitive readers.



I personally found reading Live in Infamy an intriguing alternative history of WWII, particularly at this moment in time. Richmond tackles race and biracial themes as well as political persecution, and the role of the resistance. These are themes readers find in books about WWII, but they are also once again coming to the surface in today's world, so although this is an alternative history, it will no doubt resonate with today's readers.



This book is recommended for readers age 12+

This book was an ARC received from the publisher, Scholastic Press

Blog Tour: Mari's Hope by Sandy Brehl




Mari’s Hope is the third book in the Odin’s Promise Trilogy. In the first book, In Odin’s Promise, Mari is only 11 when the Nazi’s invade her beloved Norway on April 9, 1941. Life as she knew changes overnight, and slowly, she learns that the Norwegians in her village and all over Norway are not taking the invasion and occupying German solders lying down - an active and successful resistance springs up almost immediately and by the end of the novel, after suffering a heartbreaking loss, Mari herself is part of the resistance.






Book Two, Bjorn’s Gift, begins in August 1941. When German officers move into their home, Mari's family move in with her grandmother in order to continue their resistance work, even risking sheltering refugees in the attic. Bjorn is away, now a full time part of the resistance, and Mari decides to secretly record everything that is happening at home for him to read after the war. Mari is also disappointed when she learns her old friend Leif and his family seem to have become collaborators.  






Mari’s Hope begins in February 1943. Mari is now 14 years old and while still part of the resistance, she has also become a highly regarded assistant to Dr. Olsen, often visiting the sick in their  isolated homes spread out on the mountainside around her village of Ytre Arna. Food, fuel to heat homes, and a shortage of medical supplies have caused major problems for the folks who refuse to help the Nazis, including Mari’s family. 






Mari is also able to travel to Bergen, to visit her sister Lise, a nurse, and to take her examinations to become a health aide. There, she meets Hanna, a smart, lively, not easily scared 8 year-old, and her friend Rolf, 14. But on her second meeting with Rolf, Mari and Hanna find him suffering serious injuries after some Norwegian Hitler Youth beat him up, and Mari ends up performing resistance tasks for him in Bergen before returning home. 






Mari soon finds herself traveling again to Bergen. This time it is to try to get some needed medical supplies, using a clever ruse concocted by Dr. Olsen and a friend of his in Bergen. She goes a third time to Bergen to try to help out after a harbor explosion destroys much of the area in April 1944, and  to find Hanna and her older sister Julia, fearing that they may have perished in the intense fires.






At home, Mari is still having difficulties with her old friend Leif and his collaboration with the Nazis, and of course, there is still the despised German officer Klein, whom Mari had nicknamed Goatman in Odin’s Promise, an alcoholic who is known for his excellent ability to trace illegal radios, one of which is owned by Mari's family.






Brehl’s realistic depiction of life under the Nazis, of the way spontaneous resistance groups formed, of the fears, the deprivations, and even some of the happy times is probably the strongest appeal the Odin’s Promise Trilogy has for me. Authenticity in historical fiction is important, and I felt that Brehl had really nailed it, and yes, the terrible explosion in Bergen really did happen. 






One of the other things I really liked about each book in the Trilogy is the consistent message that each of us can make a difference under difficult circumstances if we work together, and Mari’s family is the perfect example of that idea. Resistance is a theme that really means a lot to me and I found the large and small acts in Odin’s Promise, Bjorn’s Gift, and Mari’s Hope gave me some hope that something as odious as the Third Reich can be overcome. 






Mari’s Hope takes the reader up to and just beyond the end of the war, and while there is some heartbreak in this novel, there are some nice surprises as well. And Brehl ties things up with a satisfying conclusion so there are no hanging ends. Much to her credit for creating such appealing, realistic characters, I did find that I was somewhat sad to close the book at the end of Mari’s Hope after traveling along on her wartime journey these past few years. 






The Odin’s Promise Trilogy are three books that will appeal to anyone interested in WWII, the Norwegian resistance, and themes about family, friends, and life on the home-front in a war.






This book is recommended for readers age 9+


This book was an ARC received from the author








About the Author: Sandy Brehl is the award-winning author of a Norway historical trilogy for ages ten-thru-adult. (ODIN’S PROMISE, BJORN’S GIFT, and MARI’S HOPE) She also writes a blog about picture books (http://Unpackingpicturebookpower.blogspot.com) and contributes to a blog about historical works from middle grade readers (https://thestoriedpast.org). She’s an active member and volunteer with SCBWI-Wisconsin. Sandy writes fiction, nonfiction, and poetry for young readers of any age. A retired educator living in the Milwaukee area, Sandy offers programs for schools, libraries, and adult groups. 






Learn more at www.SandyBrehl.com 


                   Follow on Twitter @SandyBrehl and @PBWorkshop

                                     Facebook: Sandy Brehl Author






Be sure to visit the other stops on the Mari’s Hope Blog Tour:



9/6/Rosemary Kiladitis - Mom Read It


9/7 Trisha Perry - Mindjacked


9/11 Jenni Enzor - Jenni Enzor


9/12 Stephanie Lowden - Golowd


9/18 Suzanne Warr - Tales from the Raven